Marta Barandiy · Brand system

Identity

One thread, one typeface, loud pastel fields. Everything below is live: flip the toggles, drag the tape, tap a colour.

The monogram is one thread

"mb" written without lifting the pen: an m, a tall b, and a loose tail that keeps going. It is the tape measure after it came loose. Never redraw it: use the files in Downloads.

Minimum size

On screen the mark stays at least 32 px wide (12 mm in print). Below 48 px, the thread thickens so it doesn't break. Smaller than that, use the red tile with a white thread, or leave the mark out.

16 px260 px

120 px wide: fine.

Misuse

Don't stretch or squash it.
Don't recolour it. Red, white, plum or pink only.
Don't rotate it. The tail rises on its own.
Don't use a hairline. The thread has weight.
Don't put it on a busy or same-colour field.
No shadows, glows or bevels.

Wordmark lock-ups

The name is set in Fixel Display ExtraBold, tracking −0.035em, never in capitals. The monogram sits left of the name, its baseline on the name's baseline. Ukrainian is a first-class lock-up, not a translation.

Marta BarandiyPolitical strategist and civil society leader
Primary, horizontal, with her positioning line.
Марта
Барандій
Stacked, Ukrainian, on plum (stage register).
Dr. Marta Barandiy
Reversed on thread red: posters and the tile only.
Marta BarandiyPolicy
Policy register: plum thread on lavender. The red stays for meaning inside the paper.

Colour: loud pastel, one sharp note

Pastel fields with confidence, plum for ink, one red thread per view, acid only as a sticker. Click a swatch to copy its hex.

How much of each, on a typical page

Contrast pairs (WCAG 2.2 AA)

Ratios are calculated live from the brand colours. Body text needs 4.5:1; large text (24 px, or 19 px bold) needs 3:1.

Plum on paper
Plum on pink
Plum on magenta
Plum on lavender
White on red
Red on paper
Pink on plum
Gold on plum
Red on pink
Magenta on pink
White on magenta
Muted on paper

Five registers, one voice

A register is the room the brand walks into: the same pieces, with different fields and accents. Pick the one that fits the occasion. Switch it live.

Register demo

Same thread, different room.

Personal (default): paper and plum. Her own pages, the CV, notes.

2014The year she founded Promote Ukraine.
FactInterpretation

Fixel, and only Fixel

Fixel by MacPaw: a Ukrainian type family with full Cyrillic, self-hosted. Display for headings, numbers, buttons and quotes; Text for reading. No second typeface.

Step 667–224 px
Poster
Step 551–136 px
Headline
Step 442–83 px
Section title
Step 332–51 px
Card title
Step 224–34 px
Subhead, quote
Step 119–24 px
Lede text for the first paragraph
Step 016–18 px
Body text in Fixel Text, 1.55 leading, 66 characters per line.
Step −113–14 px
Labels, captions, sources

Poster type crops at the edge

Hearda roar?

Huge and tight (letter-spacing −6%), allowed to run off the box. The text is the image. Crop it at one edge or stack it line by line.

Her voice is italic red

A whole clause in italic red means: this is Marta speaking.

Shapes from the dressmaker's table

Soft and sharp at once. Each shape has a job; none of them is decoration on its own.

Arch

Her window. Frames portraits and illustrations, and tops cards.

Hem

The bottom of a dress. Ends a section or a card; ripples with scroll speed.

Pill

Pill

Actions and data bars. Thumb-shaped, 44 px tall and up.

New

Rosette

The scalloped badge: a lace cut of a cookie shape. One per view.

Knot

A decision tied, a freedom untied. Progress, selection, confirmation.

The thread

The line that connects: under links, through timelines, across a page. Draws itself, never loops for fun.

Illustration of Marta in a gold silk gown

Illustration: Marta in silk

Painterly, contemporary-art feel, real fabric weight. She stands tall and takes up the frame.

Art-direction brief

  • Style: painterly digital, visible light on silk (gold, red), soft background in a brand pastel. Contemporary portrait, not fashion sketch, not cartoon.
  • Posture: upright, shoulders open, chin level, weight grounded. She occupies the frame; nothing about her is shrinking or coy.
  • Likeness: recognisably Marta, drawn from approved reference photos. Every final is approved by her.
  • Fabric: silk that moves. Where useful, a hem or sash continues into the red thread.
  • Delivery: transparent WebP/PNG, at least 2000 px tall, plus a version cropped for the arch.
  • Never: lipstick, hearts, flowers as "feminine" shorthand; sexualised poses; generic AI faces.

The illustration series

Five portraits, one per register. Each dress belongs to a kind of work.

  1. Gold gown

    Full length, standing, gold silk. The hero portrait. Used for: personal register, the brand site, Unbound.

  2. Red silk, in motion

    Walking forward, a long red dress whose sash becomes the thread across the page. Used for: campaign moments, the tools' end screens.

  3. Vyshyvanka

    An embroidered shirt or dress with violet embroidery, seated upright at a table with papers. Proud, not folkloric. Used for: Ukrainian register, Ukrainian-language content.

  4. Lavender suit-dress on stage

    Speaking at a lectern, one hand open, a sharp tailored dress in lavender. Used for: policy and stage registers, speaking page, talk slides.

  5. Plum velvet, reading

    Seated, reading a document with a pen, warm side light. Used for: policy paper covers, the book, long-form pages.

Photography direction

Real moments of her work, never stock. Photos carry evidence (she was there); illustrations carry the idea.

On stage, mid-sentence, hands visible. Shot from below eye level.
Halftone treatment in pink for posters: one portrait, many dots.
At the table: documents, people, the work. Wide enough to show the room.
Crops are decisive: tight on the face, or wide on the room. Nothing in between.